The Italian character of the Passion Flywheel Slicer is reflected in the artist's inspiration, drawn from the architecture of Milan.
The design combines 15th-century damask with late 19th-century-inspired volutes, creating an evocative reinterpretation with a Neo-Liberty flavour.
A contrast to the soft, graceful forms of the Gothic and neo-Baroque elements is provided by geometric lines reminiscent of the leadwork of stained-glass windows and rose windows that illuminate Renaissance-style buildings.
The technique, performed on gold leaf, is the same oil gilding technique used to cover the iconic statue of the Virgin Mary on top of Milan Cathedral with gold leaf.
The sheen of gold mixes with pearly whites and the antique and 'worn' bronzes found in the metaphysical backgrounds of Crivelli's altarpieces on display at the Brera gallery in Milan.
At the base of the pedestal, the sun, whose rays were inspired by the famous snake from the coat of arms of Milan's noble Visconti family, marks the circular rhythm from which various decorative elements, such as Gothic 'blossoms', lilies and traceries, abound in Milan Cathedral.